Post by anastasia on Aug 10, 2014 9:37:03 GMT 7
It's The Ship - Asia's Largest International Music Festival @ Singapore - Langkawi - Singapore (21 - 25/11/14)
Pioneers behind Future Music Festival Asia presents an unprecedented, blockbuster festival concept come November 2014
The Livescape Group will take Singapore by storm as it presents a mega event concept destined to rival Asia's highest profile festivals. ‘IT’S THE SHIP’ will be a five-day, four night, jam-packed experience aboard the award-winning "Voyager of the Seas" Royal Caribbean cruise liner. The ship embarks from Singapore in November 2014, crossing the straits of Malacca to tropical Langkawi for the ultimate beach party of epic proportions. International and regional headliners will perform on multiple stages full steam ahead in a first-ever journey of this magnitude in Asia. A press conference will be held on Friday, 15 August at which the full artist line up, exact dates of the festival, pricing and other surprises will be revealed by the organizers.
Undoubtedly attracting EDM, Rock and HipHop fans across the region, ‘IT’S THE SHIP’ is expected to pull over 3,800 avid passengers as it showcases an unparalleled, must-see line-up of DJs and artists.
“It truly is exciting times ahead for all of us at Livescape and we hope music fans in Singapore and across Asia will share this sentiment as well upon hearing of this announcement. IT’S THE SHIP was born out of an idea of wanting to provide music fans in the region with a unique, one-of-a-kind festival experience never before seen on this part of the world, by merging both the relaxed atmosphere of a vacation and the fun experience of a world-class music festival into one.” said Muhammad Iqbal, Group Chief Executive Officer of The Livescape Group.
IT’S THE SHIP TEASES MUSIC FANS WITH PHASE ONE LINEUP FEATURING A DIVERSIFIED LIST OF ACTS
SBCR (The Bloody Beetroots), Chvrches and Lil Jon among the acts set to play at Asia’s largest festival at sea.
On 15 August, The Livescape Group, the organizer behind Southeast Asia’s largest music festival, Future Music Festival Asia, announced phase one of the confirmed artists slated for its brand new concept festival, IT’S THE SHIP, Asia’s largest music festival aboard one of the world’s largest cruise liners, Royal Caribbean International’s ‘Voyager of the Seas’.
With the festival set to attract regional and international music-lovers for its inaugural sail, IT’S THE SHIP embarks from Singapore on 21 November and will return to shores on the 25 of November via the straits of Malacca. International and regional headliners will perform on multiple stages full steam ahead in a first-ever journey of this magnitude in Asia. As a key highlight, the cruise liner will dock in the tropical island of Langkawi for a star-studded day beach party of epic proportions on November 23.
Muhammad Iqbal, Group Chief Executive Officer of The Livescape Group says, "We wanted an event that merged both the relaxed atmosphere of a vacation and the epic experience of a world-class music festival into one.’’ Our guests can look forward to more than just a great party alone. The luxurious ‘Voyager of the Seas’ impressively features 14 guest decks, a royal promenade, a Vegas-style casino, full sized sports courts, the first ever ice skating rink at sea, a 3D cinema, a FlowRider surf simulator, a rock climbing wall 200 feet above the ocean and much more."
A registration system, housed at www.itstheship.com, is now in place in order to encourage mixed diasporas on board the cruise. The cabins, for all five days and four nights on board IT’S THE SHIP will range from USD $430 (early bird price) to USD4,000 per person for the wickedly luxurious ‘royal suite’ which boasts a grand piano as part of the amenities. Prices are also inclusive of main meals, selected non-alcoholic beverages and free usage of most of the ship’s facilities.
Response to pre registration, an option that launched just seven days ago, has proved extremely positive with over 10,000 people registering their interest to purchase cabins on board IT’S THE SHIP. The floating music festival is expected to attract over 3,800 fans of which 60% are expected to come from outside of Singapore. Participation is expected from countries including Australia, Thailand, Indonesia, Philippines, Hong Kong, and even from Europe and the USA.
Artistes Line Up:
Lil Jon
liljon.com/
twitter.com/LilJon
www.facebook.com/LilJon
Chvrches
chvrch.es/
twitter.com/CHVRCHES
www.facebook.com/CHVRCHES
Crookers
Known for his earth-shaking live performances and cutting-edge albums, Francesco “Phra” Barbaglia has quickly become one of the most prominent djs working today. As the founding member of Crookers, he has shown the ability to not only create massive club hits but also a desire to push the genre forward through fearless innovation and a tireless work ethic. With numerous remix credits for artists ranging from the Chemical Bros to Kid Cudi, a recent, highly acclaimed live set at EDC and a new album in the works, Phra has shown no signs of slowing down.
Born in the quiet town of Omegna, Italy, Phra seemed destined to follow in the footsteps of his dentist-father until a family cruise at age 11 exposed him to the world of dj’ing. From that moment on, he was hooked. Initially focusing his attention on hip-hop, Phra began experimenting with his craft while working at a local club just minutes from his parents’ home. It was here that he began honing his sound, blending elements of house, bossa nova, jazz and funk together into mixes that were unlike anything else at the time.
Not content with simply playing what was “safe,” he continued to push the envelope, and it wasn’t long before he achieved his first major success when, in 2008, his remix of Kid Cudi’s “Day ‘N Nite” reached #2 on the UK sales chart. 2010 saw the release of Crookers’ debut album Tons of Friends. Featuring an all-star lineup that included the likes of Miike Snow, Pitbull and Major Lazer, Phra deftly combined elements from a variety of musical genres, receiving widespread praise from fans and critics alike. The 2011 follow up, Dr. Gonzo, proved to be another step forward for Phra, as he once again showcased his ability to produce catchy club beats without compromising his identity as a boundaries-breaking artist. Never one to sit still for very long, Phra has already begun work on his next album, with two tracks set to debut in October ahead of the planned 2014 release date.
When he’s not busy performing for sold out crowds at festivals around the world or working with some of the biggest names in music, Phra splits his time between his two record labels: Lucky Beard and Ciao Recs. Looking for a way to explore the limits of his profession while working with his friends, what started as a passion project has turned into one of the best sources for underground music available. With artists such as Anubi, Digi and Stabber among the current active roster, all signs point to Lucky Beard and Ciao Recs continuing to be industry leaders far into the future.
crookers.net/
twitter.com/therealcrookers
The Bloody Beetroots (SBCR) – DJ Set
The Bloody Beetroots is Sir Bob Cornelius Rifo, the Italian producer born the same year as punk rock, a fact emphatically made clear by the “1977” tattooed across his chest.
In fact, that tattoo is about the most identifying public feature of Rifo, whose penchant for wearing masks (see other cultural phenomena from Underground Resistance to “V is for Vendetta”) seems to be a declaration of ominous anonymity that defers the spotlight to his long list of productions, projects, films, art, manifestoes and musical incarnations emanating from his Bloody Beetroots production epicenter: Bloody Beetroots DJ set where the decks-manning Rifo is joined by FX man Tommy Tea; Bloody Beetroots Deathcrew 77, his “electro-punk” band with drummer Battle and Tea capable of turning a gig for thousands of fans into a political rally/empowerment seminar, and in his forthcoming embodiment, Church of Noise, which is nothing short of a “cultural-musical movement,” as Rifo calls it, with Dennis Lyxzen of Swedish hardcore punk-pioneers Refused and The (International) Noise Conspiracy.
Bloody Beetroots has always been an anomaly amidst the cocooned trends and coddled pedigrees of dance music. After fits and starts in Italian garage-punk bands, Rifo launched Bloody Beetroots in 2007. Over the next three years, he would win the support of electro house heavyweights Etienne de Crecy and Alex Gopher in Europe, and Dim Mak’s Steve Aoki stateside, with each production more elaborate and ambitious than the last.
From the start, Bloody Beetroots was capable of synergizing sonics and sensibilities from The Damned to Debussy, the anthemic wistfulness of new wave and primal screams of hardcore punk, into remarkably actualized efforts that became platforms for larger socio-political historiography and cultural histrionics: the homage to Italian Futurism of “Rombo,” the cinematic soundtrack to Nazi resistance (and you thought it was just dance music) that is “Domino”--the striking black and white video for which features Rifo using only a book as weapon, and the kick drum pattern, in an irony too rich to ignore, recalling New Order’s “Blue Monday.” Then there’s the sci-fi fantasy anarchism of writer Michael Moorcock in “Cornelius” and the Trekkie techie nerd joy of smearing sounds that is simply, cerebellum-meltingly “Warp.” Clearly on Rifo’s watch, anything’s not only possible--but from the sheer vastness of sounds and media that have materialized--probable as well. From one-man studio production to full band live show with Bloody Beetroots Death Crew 77, dance tracks to films, photography, fashion and socio-political activism are all encompassed.
“Electronic dance music is the bridge that spans my musical influences,” explains Rifo. “My intention was to use the energy of punk to give it a devastating new form--one that embraces different universes of sound, the ordered chaos that I live every day, the unique shape that every thought should have.” This “ordered chaos” has resulted in much more than music on many levels. This isn’t dance music as hedonistic escape, he says, this is shared adrenaline as catalyst and call to action. Free your ass and your mind will follow, to flip a Funkadelicism.
“The music is meant to inspire, to dream and to give a reason of strength, but it also has the power to bring people together forever. And that's why I try every day to give my audience a full view. Photography, music, fashion, icons and world history. There are many levels of communication.”
It’s this communication he is confident that can spark thought and action in listener’s lives, because similar experiences have in his. “My life is about growth, development, art and courageous actions. I firmly believe that life is made of this,” Rifo continues. “I’ve spent a lot of time over the last four years with anarchic subcultures--musical, artistic, political--and I saw in the eyes of the people the desire to reverse the situation. Anarchy, to me, is a way to free ourselves from the bite of our time. I use a multi-disciplinary action to make people free.”
Rifo clearly wants people to have more than just a good time, he wants them to re-imagine their whole world and start a new one. “I see no real revolution of our time. For years the underground world has tried to fight the rival ‘normal’ world. It’s time to create a parallel one. If we can’t fight the system, we must learn to benefit from it to build something new.”
Hence, Church of Noise, Rifo’s inaugural collaboration with Sweden’s Dennis Lyxzen (Refused/The (International) Noise Conspiracy). “Dennis and I have decided to break the mental barriers and we are here today to fight together,” he explains. Of their otherwise unlikely pairng he says, “There are many common ideas between Romborama [his debut album] and The Shape Of Punk To Come [Refused’s seminal album]. Both are primarily inspired by the anarchism of Malatesta.”
You don’t have to know your anarchist history to get what Church of Noise is about: faith and frequencies, the familiar and the ferocious, and most of all, freedom. With its siren-call of bittersweet strings waving like morning-after battle flags as well as the raw, chugging live bass and guitar-shards framing vocals that alternate between adrenal caterwaul and spoken-word break-downs (“...It only takes a sound to change the beaten path/It only takes love and courage to take it all back”...), Church of Noise is the most ambitious Bloody Beetroots recording to date.
Truly as Rifo’s calls it, “a cultural/musical movement.” From its manifesto (yes, manifesto): “Church of Noise is a congregation of lovers, fighters, sinners, artists, misfits, outcasts, losers and weirdos. In other words, normal, irrational, angry, happy, f**ked-up people," it says, sounding as much like an apocalyptic cult or maybe even an Alcoholics Anonymous meeting, very lower-case catholic and all-embracing but also something very positive and looking forward.
“My whole life has been determined and shaped by the people I’ve looked up and the people that have supported me,” says Rifo. “Bloody Beetroots and Church of Noise is something I owe to people to potentially be as important to them as things that influenced me to make the choices and live as freely as I have.” Mindless techno bollocks this ain’t. Enjoy. But more importantly, be inspired. To dance, sure. And hopefully, to live freer.
www.thebloodybeetrootsofficial.com
twitter.com/bloodybeetroots
www.facebook.com/thebloodybeetroots
Tropkillaz
www.tropkillaz.com
twitter.com/tropkillaz
www.facebook.com/Tropkillaz
Aeroplane
In just a few years, Vito De Luca, the Italian-Belgian producer behind Aeroplane, has established himself as party-starting DJ, remixer du jour -with his spacious cosmic-disco remakes of Grace Jones (William’s Blood), Friendly Fires (Paris) and Sebastien Tellier (Kilometer)- and, via his own keyboards riff-based melancholic beauties like Caramellas, or My Enemy, leader of the nu-disco and Balearica scene. Aeroplane’s debut album, We Can’t Fly, was an in-depth trip into the previously mentioned balearics with a big dose of AOR and Moroder-influenced disco, which was more a statement than an attempt to conquer dance floors, though the perfect remix cast did fill up for that job (The Krays's remix of Superstar, Breakbot's remix of " Without Lies " or Rex The Dog remix of " My Enemy ")
Now that our appetites have been whetted by those brief, tantalising excursions, what delights await us for the long-haul flight?
As a DJ, Aeroplane has never been at the mercy of traditional bpms, and being free of “the dancefloor pressure” has given Vito additional license to slow things down and look around, finding the perfect blend between club music, pop hooks, and spaced-out soundscapes. Making your ass shake more than your fist pump, as his first " In Flight Entertainment " 100% exclusive compilation demonstrates.
The start of Vito’s own label Aeropop will see many collaborations with big names and a fresh, exciting, variety of music come out, allowing Vito to flex his classically trained musical muscles in all directions, just like his touring schedule.
www.aeropop.be
twitter.com/VitoAeroplane
www.facebook.com/aeroplanemusiclove
Alex Metric
www.alexmetric.com
twitter.com/alexmetric
www.facebook.com/alexmetricmusic
Louisahhh!!!
soundcloud.com/louisahhh
twitter.com/louisahhhh
www.facebook.com/louisahhhofficial
Complete Line Up (Updated) (22/9/14)
Aeroplane
Alex Metric
Aly & Fila
Basement Jaxx (DJ Set)
Chvrches
Craze
Crookers
Dash Berlin
DBSTF (D-Block & S-te-fan)
Isaac
Jillionaire
Lil Jon (DJ Set)
Louisahhh!!!
SBCR (The Bloody Beetroots)
Sick Individuals
Tropkillaz
Regional Acts (in alphabetical order)
Anish Sood (IN)
Bangkok Invaders (TH)
Bass Agents (MY)
B.A.T.E (MY)
Bento (JP)
Dangerdisko (MY)
DJ Nadia (MY)
DJ Rosh (NL)
Eva T (MY)
Dualist Enquiry (SG)
H3 (MY)
Indiego & Co (MY)
Irama (MY)
Jhin (MY)
Justin Oh (KR)
Kimkat (US)
Ladyflic (ID)
MKFZ + Terry T (MY)
Mr. Nasty + GuruGuru (MY)
Naufal & Isky (MY)
Patricia K (MY)
R3 (CN)
Rave Republic (SG)
Robotron5000 (MY)
Sungus (SG)
Twinkies (MY)
Victor G (MY)
We Don’t Techno For An Answer (WDTFAA) (MY)
Yafifth (SG)
Phase 2 of IT’S THE SHIP lineups will be announced in September. For more information on cabin options and prices, logon to www.itstheship.com. Livescape however has dropped hints that phase two of the artist line-up will include a heavier list of EDM acts including “two to three marquee headliners”.
“In true Livescape fashion, expect positive surprises. There is always an element of surprise with us so trust us when we say there will be many more acts to add to the lineup we have just announced. To those who have yet to register, we urge them to do so as soon as possible as we are expecting a sold out cruise,” added Iqbal.
Ticketing Information:
Ticket Prices:
For More Information:
Phone: +603 77726272
Email: info@itstheship.com
URL: www.itstheship.com/
TW: twitter.com/itstheshipasia
FB: www.facebook.com/itstheship
Phone: +603 22010191
Email: ask@livescape.asia
URL: www.livescape.asia
TW: twitter.com/Livescapeasia
FB: www.facebook.com/livescapeasia?fref=ts
Pioneers behind Future Music Festival Asia presents an unprecedented, blockbuster festival concept come November 2014
The Livescape Group will take Singapore by storm as it presents a mega event concept destined to rival Asia's highest profile festivals. ‘IT’S THE SHIP’ will be a five-day, four night, jam-packed experience aboard the award-winning "Voyager of the Seas" Royal Caribbean cruise liner. The ship embarks from Singapore in November 2014, crossing the straits of Malacca to tropical Langkawi for the ultimate beach party of epic proportions. International and regional headliners will perform on multiple stages full steam ahead in a first-ever journey of this magnitude in Asia. A press conference will be held on Friday, 15 August at which the full artist line up, exact dates of the festival, pricing and other surprises will be revealed by the organizers.
Undoubtedly attracting EDM, Rock and HipHop fans across the region, ‘IT’S THE SHIP’ is expected to pull over 3,800 avid passengers as it showcases an unparalleled, must-see line-up of DJs and artists.
“It truly is exciting times ahead for all of us at Livescape and we hope music fans in Singapore and across Asia will share this sentiment as well upon hearing of this announcement. IT’S THE SHIP was born out of an idea of wanting to provide music fans in the region with a unique, one-of-a-kind festival experience never before seen on this part of the world, by merging both the relaxed atmosphere of a vacation and the fun experience of a world-class music festival into one.” said Muhammad Iqbal, Group Chief Executive Officer of The Livescape Group.
IT’S THE SHIP TEASES MUSIC FANS WITH PHASE ONE LINEUP FEATURING A DIVERSIFIED LIST OF ACTS
SBCR (The Bloody Beetroots), Chvrches and Lil Jon among the acts set to play at Asia’s largest festival at sea.
On 15 August, The Livescape Group, the organizer behind Southeast Asia’s largest music festival, Future Music Festival Asia, announced phase one of the confirmed artists slated for its brand new concept festival, IT’S THE SHIP, Asia’s largest music festival aboard one of the world’s largest cruise liners, Royal Caribbean International’s ‘Voyager of the Seas’.
With the festival set to attract regional and international music-lovers for its inaugural sail, IT’S THE SHIP embarks from Singapore on 21 November and will return to shores on the 25 of November via the straits of Malacca. International and regional headliners will perform on multiple stages full steam ahead in a first-ever journey of this magnitude in Asia. As a key highlight, the cruise liner will dock in the tropical island of Langkawi for a star-studded day beach party of epic proportions on November 23.
Muhammad Iqbal, Group Chief Executive Officer of The Livescape Group says, "We wanted an event that merged both the relaxed atmosphere of a vacation and the epic experience of a world-class music festival into one.’’ Our guests can look forward to more than just a great party alone. The luxurious ‘Voyager of the Seas’ impressively features 14 guest decks, a royal promenade, a Vegas-style casino, full sized sports courts, the first ever ice skating rink at sea, a 3D cinema, a FlowRider surf simulator, a rock climbing wall 200 feet above the ocean and much more."
A registration system, housed at www.itstheship.com, is now in place in order to encourage mixed diasporas on board the cruise. The cabins, for all five days and four nights on board IT’S THE SHIP will range from USD $430 (early bird price) to USD4,000 per person for the wickedly luxurious ‘royal suite’ which boasts a grand piano as part of the amenities. Prices are also inclusive of main meals, selected non-alcoholic beverages and free usage of most of the ship’s facilities.
Response to pre registration, an option that launched just seven days ago, has proved extremely positive with over 10,000 people registering their interest to purchase cabins on board IT’S THE SHIP. The floating music festival is expected to attract over 3,800 fans of which 60% are expected to come from outside of Singapore. Participation is expected from countries including Australia, Thailand, Indonesia, Philippines, Hong Kong, and even from Europe and the USA.
Artistes Line Up:
Lil Jon
liljon.com/
twitter.com/LilJon
www.facebook.com/LilJon
Chvrches
chvrch.es/
twitter.com/CHVRCHES
www.facebook.com/CHVRCHES
Crookers
Known for his earth-shaking live performances and cutting-edge albums, Francesco “Phra” Barbaglia has quickly become one of the most prominent djs working today. As the founding member of Crookers, he has shown the ability to not only create massive club hits but also a desire to push the genre forward through fearless innovation and a tireless work ethic. With numerous remix credits for artists ranging from the Chemical Bros to Kid Cudi, a recent, highly acclaimed live set at EDC and a new album in the works, Phra has shown no signs of slowing down.
Born in the quiet town of Omegna, Italy, Phra seemed destined to follow in the footsteps of his dentist-father until a family cruise at age 11 exposed him to the world of dj’ing. From that moment on, he was hooked. Initially focusing his attention on hip-hop, Phra began experimenting with his craft while working at a local club just minutes from his parents’ home. It was here that he began honing his sound, blending elements of house, bossa nova, jazz and funk together into mixes that were unlike anything else at the time.
Not content with simply playing what was “safe,” he continued to push the envelope, and it wasn’t long before he achieved his first major success when, in 2008, his remix of Kid Cudi’s “Day ‘N Nite” reached #2 on the UK sales chart. 2010 saw the release of Crookers’ debut album Tons of Friends. Featuring an all-star lineup that included the likes of Miike Snow, Pitbull and Major Lazer, Phra deftly combined elements from a variety of musical genres, receiving widespread praise from fans and critics alike. The 2011 follow up, Dr. Gonzo, proved to be another step forward for Phra, as he once again showcased his ability to produce catchy club beats without compromising his identity as a boundaries-breaking artist. Never one to sit still for very long, Phra has already begun work on his next album, with two tracks set to debut in October ahead of the planned 2014 release date.
When he’s not busy performing for sold out crowds at festivals around the world or working with some of the biggest names in music, Phra splits his time between his two record labels: Lucky Beard and Ciao Recs. Looking for a way to explore the limits of his profession while working with his friends, what started as a passion project has turned into one of the best sources for underground music available. With artists such as Anubi, Digi and Stabber among the current active roster, all signs point to Lucky Beard and Ciao Recs continuing to be industry leaders far into the future.
crookers.net/
twitter.com/therealcrookers
The Bloody Beetroots (SBCR) – DJ Set
The Bloody Beetroots is Sir Bob Cornelius Rifo, the Italian producer born the same year as punk rock, a fact emphatically made clear by the “1977” tattooed across his chest.
In fact, that tattoo is about the most identifying public feature of Rifo, whose penchant for wearing masks (see other cultural phenomena from Underground Resistance to “V is for Vendetta”) seems to be a declaration of ominous anonymity that defers the spotlight to his long list of productions, projects, films, art, manifestoes and musical incarnations emanating from his Bloody Beetroots production epicenter: Bloody Beetroots DJ set where the decks-manning Rifo is joined by FX man Tommy Tea; Bloody Beetroots Deathcrew 77, his “electro-punk” band with drummer Battle and Tea capable of turning a gig for thousands of fans into a political rally/empowerment seminar, and in his forthcoming embodiment, Church of Noise, which is nothing short of a “cultural-musical movement,” as Rifo calls it, with Dennis Lyxzen of Swedish hardcore punk-pioneers Refused and The (International) Noise Conspiracy.
Bloody Beetroots has always been an anomaly amidst the cocooned trends and coddled pedigrees of dance music. After fits and starts in Italian garage-punk bands, Rifo launched Bloody Beetroots in 2007. Over the next three years, he would win the support of electro house heavyweights Etienne de Crecy and Alex Gopher in Europe, and Dim Mak’s Steve Aoki stateside, with each production more elaborate and ambitious than the last.
From the start, Bloody Beetroots was capable of synergizing sonics and sensibilities from The Damned to Debussy, the anthemic wistfulness of new wave and primal screams of hardcore punk, into remarkably actualized efforts that became platforms for larger socio-political historiography and cultural histrionics: the homage to Italian Futurism of “Rombo,” the cinematic soundtrack to Nazi resistance (and you thought it was just dance music) that is “Domino”--the striking black and white video for which features Rifo using only a book as weapon, and the kick drum pattern, in an irony too rich to ignore, recalling New Order’s “Blue Monday.” Then there’s the sci-fi fantasy anarchism of writer Michael Moorcock in “Cornelius” and the Trekkie techie nerd joy of smearing sounds that is simply, cerebellum-meltingly “Warp.” Clearly on Rifo’s watch, anything’s not only possible--but from the sheer vastness of sounds and media that have materialized--probable as well. From one-man studio production to full band live show with Bloody Beetroots Death Crew 77, dance tracks to films, photography, fashion and socio-political activism are all encompassed.
“Electronic dance music is the bridge that spans my musical influences,” explains Rifo. “My intention was to use the energy of punk to give it a devastating new form--one that embraces different universes of sound, the ordered chaos that I live every day, the unique shape that every thought should have.” This “ordered chaos” has resulted in much more than music on many levels. This isn’t dance music as hedonistic escape, he says, this is shared adrenaline as catalyst and call to action. Free your ass and your mind will follow, to flip a Funkadelicism.
“The music is meant to inspire, to dream and to give a reason of strength, but it also has the power to bring people together forever. And that's why I try every day to give my audience a full view. Photography, music, fashion, icons and world history. There are many levels of communication.”
It’s this communication he is confident that can spark thought and action in listener’s lives, because similar experiences have in his. “My life is about growth, development, art and courageous actions. I firmly believe that life is made of this,” Rifo continues. “I’ve spent a lot of time over the last four years with anarchic subcultures--musical, artistic, political--and I saw in the eyes of the people the desire to reverse the situation. Anarchy, to me, is a way to free ourselves from the bite of our time. I use a multi-disciplinary action to make people free.”
Rifo clearly wants people to have more than just a good time, he wants them to re-imagine their whole world and start a new one. “I see no real revolution of our time. For years the underground world has tried to fight the rival ‘normal’ world. It’s time to create a parallel one. If we can’t fight the system, we must learn to benefit from it to build something new.”
Hence, Church of Noise, Rifo’s inaugural collaboration with Sweden’s Dennis Lyxzen (Refused/The (International) Noise Conspiracy). “Dennis and I have decided to break the mental barriers and we are here today to fight together,” he explains. Of their otherwise unlikely pairng he says, “There are many common ideas between Romborama [his debut album] and The Shape Of Punk To Come [Refused’s seminal album]. Both are primarily inspired by the anarchism of Malatesta.”
You don’t have to know your anarchist history to get what Church of Noise is about: faith and frequencies, the familiar and the ferocious, and most of all, freedom. With its siren-call of bittersweet strings waving like morning-after battle flags as well as the raw, chugging live bass and guitar-shards framing vocals that alternate between adrenal caterwaul and spoken-word break-downs (“...It only takes a sound to change the beaten path/It only takes love and courage to take it all back”...), Church of Noise is the most ambitious Bloody Beetroots recording to date.
Truly as Rifo’s calls it, “a cultural/musical movement.” From its manifesto (yes, manifesto): “Church of Noise is a congregation of lovers, fighters, sinners, artists, misfits, outcasts, losers and weirdos. In other words, normal, irrational, angry, happy, f**ked-up people," it says, sounding as much like an apocalyptic cult or maybe even an Alcoholics Anonymous meeting, very lower-case catholic and all-embracing but also something very positive and looking forward.
“My whole life has been determined and shaped by the people I’ve looked up and the people that have supported me,” says Rifo. “Bloody Beetroots and Church of Noise is something I owe to people to potentially be as important to them as things that influenced me to make the choices and live as freely as I have.” Mindless techno bollocks this ain’t. Enjoy. But more importantly, be inspired. To dance, sure. And hopefully, to live freer.
www.thebloodybeetrootsofficial.com
twitter.com/bloodybeetroots
www.facebook.com/thebloodybeetroots
Tropkillaz
www.tropkillaz.com
twitter.com/tropkillaz
www.facebook.com/Tropkillaz
Aeroplane
In just a few years, Vito De Luca, the Italian-Belgian producer behind Aeroplane, has established himself as party-starting DJ, remixer du jour -with his spacious cosmic-disco remakes of Grace Jones (William’s Blood), Friendly Fires (Paris) and Sebastien Tellier (Kilometer)- and, via his own keyboards riff-based melancholic beauties like Caramellas, or My Enemy, leader of the nu-disco and Balearica scene. Aeroplane’s debut album, We Can’t Fly, was an in-depth trip into the previously mentioned balearics with a big dose of AOR and Moroder-influenced disco, which was more a statement than an attempt to conquer dance floors, though the perfect remix cast did fill up for that job (The Krays's remix of Superstar, Breakbot's remix of " Without Lies " or Rex The Dog remix of " My Enemy ")
Now that our appetites have been whetted by those brief, tantalising excursions, what delights await us for the long-haul flight?
As a DJ, Aeroplane has never been at the mercy of traditional bpms, and being free of “the dancefloor pressure” has given Vito additional license to slow things down and look around, finding the perfect blend between club music, pop hooks, and spaced-out soundscapes. Making your ass shake more than your fist pump, as his first " In Flight Entertainment " 100% exclusive compilation demonstrates.
The start of Vito’s own label Aeropop will see many collaborations with big names and a fresh, exciting, variety of music come out, allowing Vito to flex his classically trained musical muscles in all directions, just like his touring schedule.
www.aeropop.be
twitter.com/VitoAeroplane
www.facebook.com/aeroplanemusiclove
Alex Metric
www.alexmetric.com
twitter.com/alexmetric
www.facebook.com/alexmetricmusic
Louisahhh!!!
soundcloud.com/louisahhh
twitter.com/louisahhhh
www.facebook.com/louisahhhofficial
Complete Line Up (Updated) (22/9/14)
Aeroplane
Alex Metric
Aly & Fila
Basement Jaxx (DJ Set)
Chvrches
Craze
Crookers
Dash Berlin
DBSTF (D-Block & S-te-fan)
Isaac
Jillionaire
Lil Jon (DJ Set)
Louisahhh!!!
SBCR (The Bloody Beetroots)
Sick Individuals
Tropkillaz
Regional Acts (in alphabetical order)
Anish Sood (IN)
Bangkok Invaders (TH)
Bass Agents (MY)
B.A.T.E (MY)
Bento (JP)
Dangerdisko (MY)
DJ Nadia (MY)
DJ Rosh (NL)
Eva T (MY)
Dualist Enquiry (SG)
H3 (MY)
Indiego & Co (MY)
Irama (MY)
Jhin (MY)
Justin Oh (KR)
Kimkat (US)
Ladyflic (ID)
MKFZ + Terry T (MY)
Mr. Nasty + GuruGuru (MY)
Naufal & Isky (MY)
Patricia K (MY)
R3 (CN)
Rave Republic (SG)
Robotron5000 (MY)
Sungus (SG)
Twinkies (MY)
Victor G (MY)
We Don’t Techno For An Answer (WDTFAA) (MY)
Yafifth (SG)
Phase 2 of IT’S THE SHIP lineups will be announced in September. For more information on cabin options and prices, logon to www.itstheship.com. Livescape however has dropped hints that phase two of the artist line-up will include a heavier list of EDM acts including “two to three marquee headliners”.
“In true Livescape fashion, expect positive surprises. There is always an element of surprise with us so trust us when we say there will be many more acts to add to the lineup we have just announced. To those who have yet to register, we urge them to do so as soon as possible as we are expecting a sold out cruise,” added Iqbal.
Ticketing Information:
Ticket Prices:
For More Information:
Phone: +603 77726272
Email: info@itstheship.com
URL: www.itstheship.com/
TW: twitter.com/itstheshipasia
FB: www.facebook.com/itstheship
Phone: +603 22010191
Email: ask@livescape.asia
URL: www.livescape.asia
TW: twitter.com/Livescapeasia
FB: www.facebook.com/livescapeasia?fref=ts